Throughout
history, human beings have been fascinated by travel. From the earliest
days of hunting and gathering, to the first journeys across land
and sea, to modern advances in space exploration, we have always
wanted to know more and do more. This book celebrates the accomplishments
that humans have made in the field of travel and poses the question:
where next?
Read your way around the world with some of history's greatest storymakers.
As well as the usual suspects, explore some lesser-known but equally
amazing journeys, including that of Nobu Shirase - who raced Scott
and Amundsen to the South Pole - and Henry Box Brown - a slave who
posted himself to freedom.
Review -
KIRKUS REVIEW
Unusual, often path-breaking, journeys by men and women, from the
earliest recorded wanderings, in all directions and by all modes
of transport.
Of course Christopher
Columbus is here. He gets but five lines—as the author so amply
and tantalizingly demonstrates, there are too many fantastic journeys
to count. (Those five lines are uncritical, referring to the first
encounter between Columbus and the Taino as “an incredible cross-cultural
conversation.”) Proceeding roughly chronologically throughout, then
gathering the voyages either physiographically—land, water, air,
and ice and snow—or by mode of transport, Litton covers the Kon-Tiki,
Nellie Bly, Ernest Shackleton, Marco Polo, Che Guevara’s motorcycle
diaries, and the Pony Express. In the two-page spreads, readers
witness the first European encounters with Timbuktu (by Moorish
Spaniard Joannes Leo Africanus) and Tibet (by Russian Nikolay Przewalski,
but Indian Nain Singh Rawat got there before him); trace the extraordinary
footsteps of Ibn Battuta from Morocco to China; and meet the great,
blind English traveler James Holman, who circled the Earth 10 times.
Each of the major chapters is broken down into smaller vignettes,
providing not only the basic facts, but also little particularities
to add local color. The illustrators’ dramatic ink drawings give
a sense of movement and sweep but do not escape exoticization. Similarly,
while Litton makes clear efforts to break out of the Eurocentric
confines of the genre, repeated use of vocabulary such as “mysterious,”
“unknown,” and “wild” reinforces the dominant mythology.
A bright, informative
salute to road tripping.
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